Built in 1580 and further enlarged
in the 17th century, the Monasterio de Santa Catalina
is an almost 20,000 m2 cloistered convent that once
housed approximately 450 people (one third of which
nuns). Today, only 20 nuns live here, occupying a small
corner of the complex; the rest of the monastery is
open to the public.
Founded by Maria de Guzman, a rich
widow, Santa Catalina was constructed to take in the
daughters of the wealthiest Spanish families of the
city, both them with a religious vocation or not. Indeed,
the tradition of the time indicated that the second
son or daughter of a family would enter religious service.
In spite of the votes of poverty, however, each nun
at Santa Catalina had between one and four servants
or slaves, and the nuns invited musicians to perform
in the convent, gave parties and generally lived a lavish
lifestyle. In 1871 Sister Josefa Cadena, a strict Dominican
nun, was sent by Pope Pius IX to reform the monastery.
She sent the rich dowries back to Europe, and freed
all the servants and slaves, giving them the choice
of remaining as nuns or leaving.
The complex is predominantly Mudéjar
style, a symbiosis of techniques and ways of understanding
architecture resulting from Muslim, Christian and Jewish
cultures. More than a complex, however, Santa Catalina
resembles a small village, complete with patios ornamented
with fountains, chapels, cloisters, vividly painted
walls and arches, and cobblestone streets.
An art gallery with paintings of the
Cusco, Quito, and Arequipa Schools of Art partly occupies
one of the 3 cloisters. The monastery also includes
a pre-Colombian Museum and a cemetery.